Sony ZV-E10 II Mirrorless Camera with 16-50mm II and 55-210mm Lens (Black)

$1,373.00

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Sony ZV-E10 II Mirrorless Camera with 16-50mm II and 55-210mm Lens (ZV-E10M2X) (Black)

Introduction

The Sony ZV-E10 II is a compact mirrorless camera tailored for content creators, vloggers, and photography enthusiasts. Bundled with two versatile lenses—the 16-50mm II and 55-210mm—it offers flexibility for wide-angle, everyday shooting, and telephoto reach. Its sleek Black design adds a stylish touch to professional-grade performance.

Key Features

  • Dual Lens Kit: Includes 16-50mm II for wide-angle and general use, plus 55-210mm for telephoto shots.

  • APS-C Sensor: Delivers high-resolution images with excellent detail and dynamic range.

  • Optimized for Vlogging: Vari-angle LCD screen, advanced autofocus, and real-time tracking.

  • Video Capabilities: Supports 4K recording with enhanced color science and cinematic effects.

  • Connectivity: Easy wireless transfer and live streaming options for creators on the go.

  • Compact Design: Lightweight body with ergonomic handling, ideal for travel and daily use.

Performance

The ZV-E10 II excels in both still photography and video production. The 16-50mm lens is perfect for landscapes, street photography, and vlogging, while the 55-210mm lens extends reach for wildlife, sports, and distant subjects. Autofocus is fast and reliable, with eye-tracking ensuring sharp portraits. Built-in image stabilization enhances handheld shooting, and the camera’s intuitive controls make it accessible for beginners yet powerful enough for professionals.

Design and Usability

The camera’s Black finish offers a modern aesthetic, appealing to creators who value both style and functionality. Its compact size makes it easy to carry, while the vari-angle LCD supports flexible shooting angles. With customizable buttons and user-friendly menus, the ZV-E10 II adapts to different shooting styles seamlessly.

Conclusion

The Sony ZV-E10 II Mirrorless Camera with 16-50mm II and 55-210mm lenses is a versatile kit designed for creators who want portability without compromising on quality. Whether capturing everyday moments, producing professional vlogs, or exploring telephoto photography, this dual-lens package provides excellent value and performance, making it a strong choice for modern content creation.


Sony ZV-E10 II Specs

Imaging
Lens Mount
Sony E
Effective Sensor Resolution
Effective: 26 Megapixel
Actual: 27 Megapixel
Image Sensor
APS-C CMOS
Sensor Crop (35mm Equivalent)
Crop Factor: 1.5x
Additional Modes: 1.5x
*Additional Crop Occurs in Select Video Modes
Image Stabilization
Digital (Video Only)
Built-In ND Filter
No
Capture Type
Stills & Video
Exposure Control
Shutter Type
Electronic Rolling Shutter
Shutter Speed
1/8000 to 30 Seconds
1/4000 to 1 Second in Movie Mode
Bulb/Time Mode
No
ISO/Gain Sensitivity
Native in Manual Mode: 100 to 32,000 (50 to 102,400 Extended)
Native in Auto Mode: 100 to 6400
Metering Method
Average, Center-Weighted Average, Highlight Weighted, Multi, Spot
Exposure Modes
Aperture Priority, Auto, Manual, Program, Shutter Priority
Exposure Compensation
-5 to +5 EV (1/3, 1/2 EV Steps)
Metering Range
-3 to 20 EV
White Balance
2500 to 9900K
Presets: ATW, AWB, Auto, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Continuous Shooting
Up to 11 fps at Maximum Resolution
Interval Recording
Yes
Self-Timer
2/5/10-Second Delay
Still Image Capture
Aspect Ratio
3:2
Image File Format
JPEG, Raw
Bit Depth
14-Bit
Video Capture
Internal Recording
XAVC HS/XAVC S-I 4:2:2 10-Bit
3840 x 2160 at 29.97/59.94/23.98 fps (600 Mb/s)
1920 x 1080p at 120 fps (600 Mb/s)
Video Output
HDMI
3840 x 2160
1920 x 1080
Fast-/Slow-Motion Support
Yes
Gamma Curve
S Cinetone, Sony S-Log 3
Recording Limit
No
IP Streaming
RTMP, RTMPS, SRT
2560 x 1440 to 3840 x 2160 at 25p, 29.97p (6.0 to 38.00 Mb/s)
1280 x 720 to 1920 x 1080 at 25p, 29.97p, 50p, 59.94p (1.5 to 27.00 Mb/s)
Built-In Microphone
Stereo (Microphone Location: Top)
Audio Recording
XAVC S: 2-Channel 16-Bit 48 kHz LPCM Audio
MPEG4, Proxy: 2-Channel AAC Audio
Interface
Media/Memory Card Slot
Single Slot: SD/SDHC/SDXC/Memory Stick Duo Hybrid
Internal Storage
No
Video I/O
1x Micro-HDMI Output
Audio I/O
1x 1/8" / 3.5 mm TRS Stereo Headphone Output
1x 1/8" / 3.5 mm TRS Stereo Microphone Input
Power I/O
1x USB-C Input
Other I/O
1x USB-C Data/Remote Output (Shared with Power Input)
Wireless
Wi-Fi 5 (802.11ac) / Bluetooth 4.2
Mobile App Compatible
Yes: Android & iOS
App Name: Creators' App
Functionality: Access Stored Files, Remote Control
Global Positioning (GPS, GLONASS, etc.)
GPS
*Via Connected Smartphone
Monitor
Display Type
Articulating 3" Touchscreen LCD
Resolution
1,040,000 Dot
Focus
Focus Type
Auto and Manual Focus
Focus Mode
Automatic, Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF
Autofocus Points
Contrast Detection, Phase Detection: 759
Autofocus Sensitivity
-3 to +20 EV
Flash
Built-In Flash/Light
No
Flash Modes
Auto, Fill Flash, Off, Rear Sync, Slow Sync
Maximum Sync Speed
1/160 Second
Flash Compensation
-3 to +3 EV (1/3, 1/2 EV Steps)
Dedicated Flash System
TTL
External Flash Connection
Shoe Mount
General
Battery
1x NP-FZ100 Rechargeable Lithium-Ion (Included)
 • Approx. 610 Shots
Shoe Mount
1x Intelligent Hot Shoe
Tripod Mount
1x 1/4"-20 Female (Bottom)
Operating Conditions
32 to 104°F / 0 to 40°C
Storage Conditions
-4 to 131°F / -20 to 55°C
Dimensions (W x H x D)
4.5 x 2.7 x 2.1" / 114.3 x 67.5 x 54.2 mm
Weight
13.3 oz / 377 g (With Battery, Recording Media)

 

Sony E PZ 16-50mm f/3.5-5.6 OSS II Specs

Focal Length
16 to 50mm (35mm Equivalent: 24 to 75mm)
Aperture
Maximum: f/3.5 to 5.6
Minimum: f/22 to 36
Lens Mount
Sony E
Lens Format Coverage
APS-C
Angle of View
83° to 32°
Minimum Focus Distance
0.82' / 0.25 m
Magnification
1:4.55 Macro Reproduction Ratio
0.22x Magnification
Optical Design
9 Elements in 8 Groups
Aperture/Iris Blades
7
Focus Type
Autofocus
Image Stabilization
Yes
Filter Size
40.5 mm (Front)
Dimensions
ø: 2.6 x L: 1.2" / ø: 66 x L: 31.3 mm
Weight
3.8 oz / 107 g

Sony E 55-210mm f/4.5-6.3 OSS Specs

Focal Length
55 to 210mm (35mm Equivalent: 82.5 to 315mm)
Aperture
Maximum: f/4.5 to 6.3
Minimum: f/22 to 32
Lens Mount
Sony E
Lens Format Coverage
APS-C
Angle of View
29° to 7° 40'
Minimum Focus Distance
3.28' / 1 m
Magnification
1:4.35 Macro Reproduction Ratio
0.23x Magnification
Optical Design
13 Elements in 9 Groups
Aperture/Iris Blades
7, Rounded
Focus Type
Autofocus
Image Stabilization
Yes
Filter Size
49 mm (Front)
Dimensions
ø: 2.51 x L: 4.25" / ø: 63.8 x L: 108 mm
Weight
12.17 oz / 345 g

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2 Years from delivery date

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2 Years from delivery date

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  • 5 stars: 2 (100%)
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J
Johnson Francisca

My main reason for choosing this camera was to have a setup that could handle casual video projects, travel photos, and everyday recording without making the process feel complicated. It has been a pleasant fit for those purposes, with controls that are easy to learn and a body that feels comfortable in my hands. I can get started quickly instead of spending half my time adjusting settings.

The included 16-50mm lens is handy for ordinary outings, family gatherings, and indoor clips. I appreciate being able to capture a wider view in tighter spaces and then zoom in a little for portraits or details. It covers many everyday situations without forcing me to carry extra gear everywhere.

When I want more reach, the 55-210mm lens adds a useful level of flexibility. I have enjoyed using it for distant subjects, outdoor activities, and candid moments where moving closer is not practical. Switching between the two lenses makes the kit feel much more versatile than relying on a single lens.

Video is where the camera has been especially enjoyable. The footage looks detailed, colors are pleasing, and the dedicated video-oriented design makes recording feel natural. I also appreciate the flip-out screen, which helps when framing myself for a talking clip or checking the composition from an awkward angle.

Focus tracking is reassuring when recording people who move around or when a subject changes position unexpectedly. Skin tones look appealing in good light, and the available creative options give me room to adjust the appearance of my clips without spending ages editing every little detail. The menu system takes some getting used to, but the important controls become easier to find with practice.

Indoor performance has been good for my usual needs, especially near windows or in rooms with decent lighting. In darker environments, I still pay attention to exposure and keep my expectations realistic, since adding light can make a noticeable difference. Having a capable camera does not eliminate the usual challenges of low-light recording, but the results are satisfying when I take a little care.

Battery life is reasonable for shorter recording sessions and everyday photography, though I would keep a spare charged for a long day of filming. The body is easy enough to bring along, and the screen makes it convenient to monitor what I am recording. I also like that I can grow into more advanced settings rather than feeling limited to automatic modes.

What makes the kit appealing to me is the combination of straightforward operation and room to experiment. Both lenses serve distinct purposes, the video features are practical, and the camera delivers results that suit personal projects as well as more deliberate content creation. There is a learning curve with the menus and lens changes, but the flexibility has made it a satisfying addition to my photography gear.

I
Isabel Daley

camera around for both casual trips and planned shoots, and the size has made it easy to bring along without feeling like I am hauling a full kit. The 16-50mm lens is a handy everyday option, while the 55-210mm gives me plenty of reach when I want to photograph distant subjects. Switching between the two lenses feels natural, and having both focal ranges in one setup has made my outings much more flexible.

Focus tracking has been dependable for moving subjects, and I have been impressed by how quickly the camera responds when a person enters the frame. Controls are laid out in a way that became familiar fairly quickly, and the grip feels secure in my hand. I also appreciate being able to make quick adjustments without digging through menus every time I want to change a setting.

Video has been one of the biggest reasons I have enjoyed using it. The fully articulating screen makes it much easier to frame myself when recording, and the camera feels approachable even when I am switching between stills and video. Indoor results have held up nicely for my usual recording situations, while good lighting brings out plenty of detail and pleasing color. Battery life has also been practical for my typical outings, though I still keep a spare battery handy for longer sessions.

Having two lenses in the kit has made the setup feel much more useful than relying on one general-purpose lens alone. I can keep the shorter lens attached for everyday photography and bring out the telephoto when distance matters. It is easy enough to carry, pleasant to handle, and capable across the kinds of photos and videos I normally make. I have enjoyed getting familiar with it, and it has earned a permanent place in my camera bag.