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Canon RF 24-105mm F/2.8 L IS USM Z Lens
Canon RF 24-105mm F/2.8 L IS USM Z Lens
Canon RF 24-105mm F/2.8 L IS USM Z Lens
Canon RF 24-105mm F/2.8 L IS USM Z Lens

Canon RF 24-105mm F/2.8 L IS USM Z Lens

$4,010.00

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Canon RF 24-105mm F/2.8 L IS USM Z Lens
Canon RF 24-105mm F/2.8 L IS USM Z Lens
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Canon RF 24-105mm F/2.8 L IS USM Z Lens

Introduction

The Canon RF 24-105mm F/2.8 L IS USM Z Lens is a groundbreaking zoom lens designed for professionals who demand versatility, speed, and uncompromising image quality. It combines the flexibility of a standard zoom with the performance of a fast prime, making it ideal for both stills and video.

Key Features

  • Constant f/2.8 Aperture: Ensures consistent exposure and shallow depth of field across the zoom range.

  • Optical Image Stabilization: Provides up to 5 stops of shake correction for handheld shooting.

  • Advanced Optical Design: Incorporates aspherical and UD elements to minimize aberrations and deliver sharp, high-contrast images.

  • Dual Nano USM Motors: Enables fast, silent, and precise autofocus, perfect for both photography and video recording.

  • Professional Build Quality: Weather-sealed construction ensures durability in challenging environments.

  • Versatile Zoom Range: Covers wide-angle to short telephoto, making it suitable for landscapes, portraits, events, and more.

Conclusion

The Canon RF 24-105mm F/2.8 L IS USM Z Lens redefines what a standard zoom can achieve. With its constant f/2.8 aperture, advanced stabilization, and professional-grade optics, it is a powerful tool for creators who need flexibility without compromise. Whether capturing dynamic video or stunning stills, this lens stands as a true workhorse in the RF lineup.

 

Canon RF 24-105mm F/2.8L IS USM Z Specs

Focal Length
24 to 105mm
Maximum Aperture
f/2.8
Minimum Aperture
f/22
Lens Mount
Canon RF
Lens Format Coverage
Full-Frame
Angle of View
84° to 23° 20'
Minimum Focus Distance
17.7" / 45 cm
Maximum Magnification
0.08 to 0.29x
Optical Design
23 Elements in 18 Groups
Diaphragm Blades
11
Focus Type
Autofocus
Image Stabilization
Yes
Tripod Collar
Removable
Filter Size
82 mm (Front)
Dimensions (ø x L)
3.5 x 7.8" / 88.5 x 199 mm
Weight
2.9 lb / 1.3 kg

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Part 1: Shipping & Delivery Framework (Canada)


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Warranty Term

Scope of Protection

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2 Years from delivery date

Internal electronics, image sensors, processors, and mechanical shutter builds.

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2 Years from delivery date

Autofocus linear motors, internal optical groups, and built-in stabilization (OSS/IS).

Sigma Optics & Tamron Premium Lenses

5 Years from delivery date

Extended factory defect protection and internal optomechanical assembly alignments.



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M
Moon Desiree

For event coverage, interviews, and short video projects, this lens has made my setup noticeably more practical. I can move from a wide view of a room to a tighter shot of a speaker without interrupting the flow to swap glass. The constant f/2.8 aperture is especially helpful when lighting changes between a bright window and a dim interior, keeping exposure adjustments manageable throughout a shoot.

What stands out during video recording is how much control the zoom range gives me. Framing feels deliberate, and the stabilization helps when I need to shoot handheld rather than setting up a tripod. Focus transitions are quiet enough for the kind of footage I usually record, and the results look crisp with pleasing separation between the subject and the background. For interviews, the ability to adjust framing while staying in position is particularly useful.

There is no hiding the size or weight, so I would not choose it for a casual walk when traveling light is the priority. On a rig or a sturdy camera strap, though, the construction feels reassuring, and the controls are laid out sensibly for regular use. I appreciate that it feels designed for demanding production days rather than occasional snapshots. The optical quality also holds up well across the zoom range, giving me confidence when a project requires consistent results from one focal length to another.

For my needs, the biggest advantage is having a versatile range and a bright aperture in one professional lens. It handles interviews, event details, portraits, and general video coverage without forcing me to plan every shot around a lens change. The price and bulk make it a serious investment, but for creators who regularly shoot both stills and video, the flexibility can justify the trade-off. It has become a dependable option when I want to arrive prepared for a wide variety of scenes.

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